博尔赫斯二十首情诗
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博尔赫斯二十首情诗如下:
1、酒渣色的云使天空显得粗俗,为我紧闭的眼帘带来黎明。——《失眠》
2、我用什么才能留住你?我给你贫穷的街道、绝望的日落、破败郊区的月亮。我给你一个久久地望着孤月的人的悲哀。——《英文诗两首》其二
3、它们已在岁月的河流中消失;你只是目录里的一个条目。——《致诗选中的一位小诗人》
4、你消磨了岁月,岁月也消磨了你,你至今没有写出诗。——《【马太福音】第二十五第三十节》
5、为了抹掉或减轻现实的残酷,他寻找着梦想的东西。——《乌尔比纳的一名士兵》
6、记忆中得以延续的东西归于他,归于我们的是渣滓。——《另一个》
7、我不再是那个久久地望着海洋的人,望着海洋和它深远的草原。——《亚历山大·塞尔扣克》
8、武士的影子笼罩这里,我在他面前是影子下的影子。——《约克大教堂的一把剑》
9、你冷冷地燃烧,独自在沙漠;无人理解你的灵魂,而你已死去。——《致卡尔十二世》
10、为少数人创造的企盼的天国,对几乎所有人来说是地狱。——《乔纳森·爱德华兹》
11、我的名声传遍了大陆;但我没有生活。我想成为另一个人。——《爱默生》
12、也许他从死亡的另一面,继续孜孜不倦地创造惊世骇俗的珍品。——《埃德加·爱伦·坡》
13、愿她的回忆永远和我相随。其余的事情自有荣耀诉说。——《拉斐尔·坎西诺斯–阿森斯》
14、我要痛饮你晶莹的遗忘,地久天长,但没有以往。——《谜》
15、一个象征。一朵玫瑰使你心碎,一首吉他乐曲可能要你性命。——《一九六四年》
16、你走遍了天涯路;如今只剩下铿锵的诗。——《致一位撒克逊诗人》
17、如今你在我身体里,你是我朦胧的命运,那些感觉至死才会消失。——《布宜诺斯艾利斯》
18、黑暗中你的一吻,比什么都更温馨。——《短歌》其一
19、一个女人的名字让我无法隐藏。一个女人使我浑身疼痛。——《威胁》
20、我们不能指望天堂,但是却可以相信地狱。——《四个时代》
ruby 博尔德短跑主题
# Boulder Dash for ATARI 2600, by Peter Liepa, 1984
# A Live Loop to algorave to.
#
# Original music (Youtube, Commodore 64 version): https://www.youtube.com/watch?v=14CAO72_pJw
# A pretty accurate transcription: https://musescore.com/user/3769276/scores/1076731 (I can't hear any errors)
#
# Interesting note: Boulder Dash was originally written for the ATARI 2600 video game console, which had a TIA sound chip
# with two oscillators to generate tones (max polyphony was 2). So on both the Youtube recording (which is of a C64 port)
# and the MIDI score transcription, only two notes are ever played at once.
#
# More on Boulder Dash: https://en.wikipedia.org/wiki/Boulder_Dash
# 8 bars, 16 semiquavers per bar, two-tone polyphony, consequently no actual rests, but the bass and treble parts bounce
# between the two occilators. 128 x 2 notes. Repeats forever.
aud0 = [ :F3, :A3, :C4, :F4, :G3, :Bb3, :C4, :G4, :Db4, :Eb4, :F4, :Ab4, :Eb4, :D5, :E4, :C5]
aud0.concat [ :F3, :F4, :C3, :G3, :Eb3, :G4, :G3, :Eb3, :F3, :F4, :C3, :G3, :Db3, :F5, :F3, :Db3]
aud0.concat [:Eb3, :Eb4, :Bb3, :F3, :B3, :Eb5, :Eb4, :B3, :C2, :E4, :C2, :F4, :Bb3, :Bb3, :Bb4, :Bb3]
aud0.concat [ :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4, :F4]
aud0.concat [ :F4, :A4, :F4, :Bb4, :F4, :A4, :F4, :Bb4, :F4, :A4, :F4, :Bb4, :Eb4, :G4, :Eb4, :Ab4]
aud0.concat [ :F4, :F5, :F4, :Eb5, :F4, :D5, :F4, :C5, :Eb4, :Eb5, :Eb4, :Eb5, :Eb4, :Bb4, :Eb4, :Eb5]
aud0.concat [ :F4, :A4, :F4, :Bb4, :F4, :A4, :F4, :Bb4, :F4, :A4, :F4, :Bb4, :Eb4, :G4, :Eb4, :Ab4]
aud0.concat [ :A4, :F4, :C4, :A3, :G4, :Eb4, :Bb3, :Eb3, :C5, :A4, :F4, :C4, :G4, :Eb4, :Bb3, :Eb3]
aud0=aud0.ring
aud1 = [ :F2, :C3, :F3, :Ab3, :Eb2, :D3, :Eb3, :Bb3, :Db2, :Db2, :Db3, :Db2, :Eb3, :Bb4, :E3, :A4]
aud1.concat [ :F2, :F2, :F2, :F2, :Eb2, :Eb2, :Eb2, :Eb2, :F2, :F2, :F2, :F2, :Db3, :Db3, :Db3, :Db3]
aud1.concat [:Eb2, :Eb2, :Eb2, :Eb2, :B2, :B2, :B2, :B2, :C2, :C3, :C2, :C3, :Bb2, :Bb2, :F2, :F2]
aud1.concat [ :F2, :F2, :F2, :F2, :F3, :F3, :F2, :F2, :Eb2, :Eb2, :Eb2, :Eb2, :Eb3, :Eb3, :Eb2, :Eb2]
aud1.concat [ :F2, :F4, :F2, :F4, :F3, :F4, :F2, :F4, :Eb2, :F4, :Eb2, :F4, :Eb3, :Eb4, :Eb2, :Eb4]
aud1.concat [ :F2, :F2, :F2, :C5, :F3, :F3, :F2, :C5, :Eb2, :Eb2, :Eb2, :Eb2, :Eb3, :Eb3, :Eb2, :Eb2]
aud1.concat [ :F2, :F4, :F2, :F4, :F3, :F4, :F2, :F4, :Eb2, :F4, :Eb2, :F4, :Eb3, :Eb4, :Eb2, :Eb4]
aud1.concat [ :F4, :C4, :A3, :F3, :Eb4, :Bb3, :G3, :Eb2, :A4, :F4, :C4, :A3, :Bb3, :G3, :Eb3, :Eb2]
aud1=aud1.ring
####
use_transpose 0
use_synth :tri
use_synth_defaults attack: 0, decay: 0, sustain: 0.25, release: 0.2
use_bpm 93
set :position, tick_reset
dur=0.25
phz=4
live_loop :metro do
sleep dur
set :position, tick
end
live_loop :au0 do
use_synth :tri
##| with_fx :ixi_techno, phase: phz, res: 0.95, cutoff_max: 129, cutoff_min: 50 do #, delay: 8, feedback: 5
##| steps=phz/dur
##| steps.times do
play aud0[sync :position], pan: -0.5
##| end
##| end
end
live_loop :au1 do
use_synth :subpulse
##| with_fx :bitcrusher do
play aud1[sync :position], pan: 0.5#, sustain: 0.0125#, sustain: 0.0125, pan: 1, amp: 2
##| end
end
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