18-04-03摄影机稳定器系统 CSS稳定摄影的运动创作力

Posted 2021-03-29 ARRI

For English version, please scroll down.

摄影机稳定器系统 CSS

运动创作力

ARRI摄影机稳定器系统（CSS）系列产品包含：TRINITY，结合机械与电子稳定方式，最具创新性的混合式稳定器系统；SRH-3稳定遥控头，一款全稳定式的三轴遥控头；artemis机械稳定器，由机械装置、背心与弹簧臂组成；以及MAXIMA，一款电子控制的三轴向摄影机稳定器。

TRINITY混合式稳定器系统

ARRI CSS系列的旗舰产品TRINITY是史上第一款混合式摄影机稳定器，它结合传统的机械稳定结构和先进、灵敏的32-bit ARM架构运算三轴电子稳定技术，最终获得5轴控制能力，让操作者可以无比流畅、大范围与精细地控制摄影机运动，拍摄无拘无束，创作彻底自由。

革命性的全新操作方式

TRINITY为掌镜摄影师带来全新的视角， 也为导演与摄影指导们提供了全新的叙事手法。例如，通过倒置操作臂，摄影机可以从低机位模式直接过渡到高机位模式，在这个运动过程中，还能够使用操纵杆控制倾斜轴稳定地变化为朝上或朝下。将操作臂倾斜45度再转向左边或右边，无论是低机位还是高机位，摄影机甚至可以随意左右扫视。

驾驭全尺寸摄影机与镜头

TRINITY将以完整的5轴组合推出，但也为现有的机械式稳定器提供了一套2轴稳定机头升级套件可选。尽管它与外形小巧的ALEXA Mini配合可谓行云流水，不过30 kg的最大载荷和高度调节能力意味着TRINITY同样支持更大的摄影机和更重的镜头，安装ALEXA SXT这样的全尺寸数字摄影机根本不在话下，而胶片摄影机，例如ARRIFLEX 235和416同样没有问题。

SRH-3稳定遥控头

技术先进、备受赞誉的ARRI摄影机稳定器系统（CSS）产品更加丰富，最新发布的遥控稳定头SRH-3独具一格，在填补市场空白的同时提供顶级品质与性能表现。SRH-3是一款全稳定式三轴遥控头， 灵活性与易用性更佳， 能够让摄影机抵达工作人员无法企及的位置。无论在拍摄现场、摄影棚内或是活动现场，这一款凝结ARRI技术的智能化自适应性遥控稳定头都能助您一臂之力。

智能适应性系统

为了提供最出色的稳定性，ARRI遥控稳定头SRH-3通过施加额外的马达扭矩补偿外部离心力。同时，SRH-3还可以通过全新设计的操纵杆式ARRI SRH-3操控板进行遥控（有选配手轮）。

高载荷、低自重、紧凑型设计

ARRI遥控稳定头SRH-3外形极为小巧，自重仅9 kg（19.8 lbs.）。然而，不要被它的重量误导，SRH-3的最大载荷达到30 kg（66 lbs.），使它自身重量的三倍多。

经济实惠

如果您使用高品质的图像捕捉系统，那么没有理由为了节省成本搭配劣质的遥控稳定头。尽管话是这么说，ARRI遥控稳定头SRH-3仍然充分考虑到了价格问题，SRH-3定价经济实惠，但功能特性却是顶级的。

面向未来的工作流程

ARRI遥控稳定头SRH-3完美兼容其它ARRI产品和工作流程，就算非ARRI品牌的设备，还是可以搭配SRH-3使用。ARRI会继续为旗下产品提供长期的售后服务以及更新支持。

artemis机械稳定器

ARRI artemis Cine Broadcast和EFP HD是高度模块化设计、支持升级的机械式稳定器，可搭配各种不同的ARRI CSS组件和附件使用，满足当前电影与电视制作领域中的任何需求。

ARRI Cine Broadcast

Cine Broadcast是Cine HD Pro的更新换代产品，功能性改进与新加入的附加特性带来了最出色的工具与最简单的工作流程。在artemis HD系统的传统功能之外，例如大功率线材与热插拔技术，Cine Broadcast新增的功能还包括了三路高品质视频线路输出以及同时具备D-Tab和USB输出，操作更灵活，备选方案更丰富。电压计设计在底座顶部，清晰易读。

ARRI EFP HD

广播级工作和数字电影摄影/3G HD-SDI/12V/热插拔的完美选择。EFP HD支持现代数字电影摄影，同时也是为HD广播级摄影机所设计的，它具备12 V大功率线材，支持最大15 A的摄影机。高标准线材将电压衰减降低到了最小程度，同时，Anton Bauer热插拔技术允许电池电量低时直接更换，避免重新启动摄影机。注意：图中的监视器支架并非系统标准组件，需另行购买；底座支架、监视器与电池也不包含在内。

MAXIMA三轴摄影机稳定器

MAXIMA三轴稳定器是TRINITY的一个关键组成部分，它也有一个单独上市的版本MX30——一套获得广泛应用的3轴电子式稳定器。相比过去的创作手段，MAXIMA灵巧、轻量化的设计，完美的重心位置提供了更高层次的自由度。

无拘无束的创作力

有了MAXIMA，电影人不再为稳定器对摄影机长度或重量的限制而顾虑重重，它极为稳定的结构最高能够支持总重达到30 kg的任何摄影机系统。MAXIMA设计架构的中心部分是一个由极高强度滚珠轴承驱动的翻滚笼以及量身设计的无刷电机，先进的轴承与大扭矩始终保证无论收到什么指令都有充足的能量释放。严格筛选的零部件协作流畅、运作可靠、耐热性上佳。

精准易用的操控

这款高性能三轴稳定器直接、直观的操作响应由32-bit多处理器负责，额外的附属RISC（ 精简指令集） 处理器负责处理多个传感器数据。MAXIMA的最大角度偏差仅有0.05度， 除了多种预配置方案， 用户也可添加自定义配置。MAXIMA配备1.5" OLED屏幕，让用户可以直观监督运行模式和电池状态、快速切换不同的配置方案。改变摄影机角度是通过MAXIMA外框架上一个高灵敏度、高精细度的操纵杆完成的，就在手柄的旁边。如果有需要，也可选购双向2.4 GHz无线遥控装置，它能够控制倾斜、横摇和滚动。智能化的软件和精密硬件结合，最大可以让转轴垂直转动90度。

组件与附件 —— 完整的系统构成

ARRI artemis背心

极佳的调节能力与无以伦比的舒适性。ARRI artemis背心由七个部件构成，它们的高度与宽度位置能自由配置，根据各人的体型单独调节肩部、胸部与髋部的尺寸，完美的贴合度让摄影师能够长时间操作，缓解他们的疲劳感。这款背心还能纠正不良姿势，避免肌肉劳损导致的不适或工作伤害。

ARRI artemis弹簧臂

轻量化设计，高负荷能力。ARRI artemis弹簧臂能够轻松切换为右手操作或左手操作，三种弹簧组合可互换，载荷丛11 k g 到2 6 kg。弹簧臂有三种长度（6"、10"和12"），与所有符合工业标准的背心插槽以及所有5/8"直径接口的三轴稳定器兼容。

ARRI artemis支架

丰富的支架、接口与适配器提供了出色的解决方案，帮助您以各种方式组合ARRI artemis装备。例如ARRI artemis监视器支架就能够为用户提供更好的设备动态平衡，并且改善现场工作流程。

ARRI artemis线缆

一套全面的线缆，例如摄影机电源线、视频信号线、跟焦控制、监视器电源线等。

监视器

数款完美匹配ARRI稳定器的Transvideo HD监视器选择面广，包括6"版本的2000 nit高亮度屏、抗反射夹层屏幕、陀螺仪稳定的VirtualHorizon2等。

Tally系统

ARRI摄影机稳定器提供有Tally功能，让掌镜摄影师可以选择适合他们设备的Tally组合。

防护

结实的防护套、收纳箱、存储包和防雨罩，妥善保管您的ARRI artemis设备、弹簧臂、背心和监视器。

升级与组件

将您的旧款artemis装备升级到最新型号。

ARRI摄影机稳定器系统（CSS）宣传片

释放无限创作力

了解更多关于ARRI摄影机稳定器系统的信息，请点击以下链接：

ARRI Camera Stabilizer Systems

Creativity in Motion

The ARRI CSS product range covers:

• TRINITY —— The most innovative hybrid stabilizer system, based on the combination of mechanical and electronical stabilization.

• artemis —— The mechanical stabilizer, or in other words the classic Steadicam products, incl. the Rig, the Vest and the Spring Arm.

• MAXIMA —— A 3-axis electronical camera stabilizer, a so called Gimbal, with a payload up to 30 Kg / 66lb.

• SRH-3 —— A 3-axis fully stabilized remote head allowing for cameras to go where no person can, with increased flexibility and ease. 

TRINITY —— Hybrid stabilizer

TRINITY is the flagship of the ARRI CSS range: the first hybrid stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization, provided via 32 bit ARM-based gimbal technology. This combination enables uniquely fluid, wide-ranging and precisely controlled movements for unrestricted shot-making and total creative freedom.

Revolutionary new ways of operating

New angles for the operator and new storytelling options for the director and DP are opened up by TRINITY. For example, by inverting the post the camera can be moved from low to high mode during a shot; using the tilt control to look up or down during this motion is also possible. By holding the post at 45 degrees and twisting it left or right, the camera can even look around corners, whether in low or high mode.

Fly full-size cameras and lenses

TRINITY is available as a complete 5-axis rig or as a 2-axis head upgrade to existing mechanical stabilizers. While it works especially well in a compact configuration with the ALEXA Mini, TRINITY’s 30 kg maximum payload and height adjustability mean that larger cameras and heavy lenses can also be supported. Full-size digital cameras such as ALEXA SXT are easily accommodated, as are film cameras such as the ARRIFLEX 235 and 416.

SRH-3 —— The New Stabilized Remote Head

The well-received and sophisticated ARRI Camera Stabilizer Systems line just got bigger. The SRH-3 is a three-axis fully stabilized remote head allowing for cameras to go where no person can, with increased flexibility and ease. Whether it be on set, in a studio, or at an event, this compact but high-quality stabilized remote head offers solutions that were simply not previously possible at such levels of precision.

Smart and adaptive system

To provide outstanding stabilization, the motors inside the ARRI Stabilized Remote Head SRH-3 can compensate for external centrifugal force by adding extra motor power. The SRH-3 can also be remote controlled with its newly designed, joystickbased ARRI SRH-3 control board with optional wheels.

High payload, low weight, compact design

The ARRI Stabilized Remote Head SRH-3 is extremely compact and light, weighing in at 9 kg (19.8 lbs.). However, the lower weight does not equate to lower support capabilities; the SRH-3 is able to handle payloads of up to 30 kg (66 lbs.)—in excess of three times its own weight.

Budget friendly

When working with high-end image capturing systems, don’t compromise on a stabilized remote head due to the price tag. Nevertheless, the ARRI Stabilized Remote Head SRH-3 has taken expense into consideration. Despite its premium features, the SRH-3 is very budget friendly.

FUTURE-PROOF workflows

The ARRI Stabilized Remote Head SRH-3 is perfectly compatible with other ARRI products and workflows, but can also be used with a variety of non-ARRI brands. ARRI stands behind its products, continually offering years of service and update.

artemis —— Mechanical Stabilizers

The ARRI artemis Cine Broadcast and EFP HD are highly modular and upgradable mechanical stabilizers. Available with a wide range of different ARRI CSS components and accessories, they cover the entire spectrum of today’s film and television requirements.

ARRI Cine Broadcast

The Cine Broadcast is the next logical step after the Cine HD Pro. Enhanced functionality and additional features have been added to provide the best tool and the easiest workflow. Besides the traditional functions of artemis HD systems, such as high-capacity wiring and Hot-Swap technology, additions to the Cine Broadcast include three high-quality video lines and both D-Tab and USB power outputs, providing new possibilities and more robust backup options. The position of the voltmeter at the top of the sled makes it highly visible and simple to use.

ARRI EFP HD

Perfect for broadcast work and digital cinematography / 3G HD-SDI / 12 V / Hot-Swap. The EFP HD supports modern digital cinematography and is designed to work with HD broadcast cameras. It features 12 V highcapacity

wiring within the rig, which enables capacities for the camera of up to 15 A. The high-specification wiring also minimizes voltage drop when working with the EFP HD, while the Anton Bauer Hot-Swap technology helps to avoid camera reboots when batteries run low. Note: The displayed monitor bracket is not a part of the system and must be ordered separately; the docking bracket, monitor and batteries are also not included.

MAXIMA —— Stabilized gimbal

The MAXIMA gimbal is a crucial component of TRINITY, though it is also available separately as the MX30 – a 3-axis electronically stabilized gimbal. Its slick, lightweight design, with perfect center of gravity, provides a level of freedom that has not previously been possible.

Unrestricted creativity

With MAXIMA, the creativity of filmmakers need not be stifled by camera length or weight limitations. The extremely stable construction of MAXIMA allows any camera system with a total weight of up to 30 kg to be used. At the center of this unique design is an extremely durable ball bearing roll cage, as well as brushless motors. Optimized bearings and high torque ensure that there is always enough power in reserve. Carefully selected components enable seamless, reliable operation and impressive heat resistance.

Precise, user–friendly controls

Direct and intuitive handling of this high-capacity gimbal is managed by a 32 bit multiprocessor; additional slave RISC processor support means multi-sensor data is processed without losses. The maximum angular deviation is just 0.05 degrees. In addition to a variety of preconfigured profiles, customized profiles can also be added. The 1.5” OLED screen allows users to keep tabs

on the operating mode and battery status, and to quickly toggle between different profiles. Changes of angle are achieved with a highly sensitive and ultra-precise joystick mounted at the outer frame of the MAXIMA or with an optional bidirectional 2.4 GHz wireless remote control, allowing tilt, pan and roll movements. The intelligent software and precise hardware enable vertical swivels of up to 90 degrees.

Components and Accessories —— Complete system approach

ARRI artemis Vest

Great adjustability and unrivaled comfort. The artemis Vest has seven segments that can be freely positioned in height and width, allowing operators to adjust the shoulder, chest and hip segments to suit their individual physiques. The perfect fit of this vest permits longer operating times; the operator will not get exhausted too early and the vest prevents unhealthy postures that may cause pain or injury when maintained for too long.

ARRI artemis Carbon Spring Arm

High payload in a lightweight design. ARRI artemis Spring Arms are easily adjusted to right-handed or left-handed operators and come with three exchangeable spring sets for loads from 11 kg to 26 kg. Arm posts are available in three lengths (6”, 10” and 12”) and arms are compatible with all vests using the industry-standard socket block, as well as with all gimbals using a 5/8” arm post.

ARRI artemis Brackets

A wide range of brackets, mounts and adapters is available to support different ways of setting up an ARRI artemis rig. Outstanding solutions such as the ARRI artemis Monitor Bracket help users to achieve a better dynamic balance for their rig and an improved on-set workflow.

ARRI artemis Cables

A comprehensive selection of camera power cables, as well as video power, focus power and monitor power cables.

Monitor Sets

Several Transvideo HD monitors are available, perfectly suiting the ARRI stabilizer range. Features include up to 2,000 nits for the 6" version, an anti-glare bonded screen and gyro-stabilized VirtualHorizon2.

Tally system

ARRI camera stabilizers offer a Tally function, allowing operators to find the right Tally set for their rig.

Protection

Steady sleeve, cases, bags and rain covers - the right protection for your ARRI artemis rig, arm, vest and monitor.

Upgrades and components

Keep your older artemis rig up to date.

UNLEASH YOUR IMAGES

ARRI Camera Stabilizer Systems Showreel

For more information about ARRI CSS, please click on the following links: